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Feminist Film Theory: A Reader Sue Thornham
Publisher: Edinburgh University Press

O 2.7 Film theory The first she calls "feminist critique" - where the feminist reader examines the ideologies behind literary phenomena. O 2.3 Intersections of Race, Class, and Gender. Feminist Film Theory: A Reader. She is the author of a book-length study of the British. Feminist.Film.Theory.A.Reader.pdf. Objectification), oppression, and patriarchy.[7][8][9]. John David Rhodes British Film Institute.. Please bear with me as I try to make sense of what I am attempting to articulate. This experience sparked my interest in feminist film theory, especially for its critique of realist documentary film that has been prevalent since the beginning of the 1970s. After reading this, you may also find it interesting to read David Jackson's piece on why he thinks James Cameron is misandrist. Lately I have been reading up on feminist film theory and thinking about how I can apply it to my research on video games. Film studies taught me that I'd spent my entire life “reading against the grain” to find the points of and places in entertainment that I could connect to, that I could love. Doane, Mary Ann (1987) The Desire to Desire: The Woman's Film of the 1940s (Bloomington and Indianapolis IN: Indiana University Press). Feminist film theory is important because films are such a popular and influential medium. Such ideas, central to reader response theory, are important for us here in that they highlight the active role of the reader, or in the case of documentary film the viewer. I set out to decide if, with so many ethical questions arising such as the .. So I'll start with a film that is likely familiar to anyone who's spent any time reading feminist film theory: Stella Dallas. Christine Gledhill (British Film Institute, 1987) 299- 325; Issues in Feminist Film Criticism,.